My Garland is Also Blue (2024), a 3D digital collage presented as a three-part AR experience, is an extension of my practice incorporating the tactile into technology, and by extension, referencing and tracing the fragmented body in a state of incomplete recollection.  Like a familiar dollhouse that’s been rearranged or a dysfunctional memory palace, objects from past and present are referenced through voice-over. Shifts in scale and position of domestic objects build architectural spaces with a surreal quality. The 3D world is a poem and the poem is the space of a body in a state of knotting and untangling. The experimental AR collage is comprised of drawings, textures and 3d scans with all of the imperfections and suggestions of the hand-made.  Various flaws such as the glitchy tattered edge of a 3d scan are like an unraveling hem, or a partially erased image.

Exhibitions:

Currents New Media Festival 2025 (forthcoming)

Angels Gate Cultural Center, METHOD, 2024.